Christian TeBordo’s The Awful Possibilities:
The postcards make tangible that which is the key quality of The Awful Possibilities: the way in which TeBordo is able to command alienation, both with the subject matter of his stories and the details of his prose.
Kristina Born’s One Hour of Television:
Some of One Hour of Television’s pages abound with text; others contain a handful of lines. Some have only one. Yet the book lingers: Born provides connective tissue: a trauma-filled trip to Las Vegas; a depressive recounting the plot of Erin Brockovich.