I watched Michael Clayton last night. When I finished, I walked to my computer to check the news and learned that its producer and co-star, Sydney Pollack, had passed away. The man was a fine director and an excellent actor (I remember his scenes, more than anything else, in Eyes Wide Shut); David Edelstein has [...]
…I’m going to link to David Edelstein’s review of the same, and follow with a “what he said”.
One: Robert Christgau on Ken Braun of the Sterns label, with a particular focus on last year’s amazing Tabu Ley Rochereau compilation The Voice of Lightness.
Two: Daphne Carr on the No Fun Fest.
Three: Jessica Suarez interviews Islands on their new Arm’s Way. I’ll have some lengthier thoughts on the record in question on this space [...]
One: Rob Walker on reviving defunct brands, and the selective, not entirely reliable of the American consumer.
Two: Matt Fraction on the recent activities of your favorite filmmakers.
Three: Skyfarms, via Reihan Salam. My mind is blown.
One: Matthew Perpetua offers multiple perspectives on No Age.
Two: Molly Templeton provides select links to the ongoing debate on summer movies, superheroes, and dudes.
Three: SB on feminism, Grand Theft Auto, and street hockey.
Four: Reihan Salam asks where Santogold stands regarding the Democratic primary.
One: Reihan Salam on the anarchist politics of Harold and Kumar Escape From Guantanamo Bay.
Two: Given that I’ve been known to post a fair amount of praise in the direction of High Places, the news that they’ve signed with Thrill Jockey seems like a fine fit for all concerned.
Three: Also in the category of artists [...]
One: Jody Rosen on Mariah Carey. When I got to the part about John Bonham, my jaw dropped, because it makes complete sense.
Two: Timothy Noah on Peggy Noonan’s criticism of Barack Obama.
Three: Matt Zoller Seitz leaves print journalism for filmmaking. His debut, Home, is highly recommended.
One: David Edelstein looks at Iron Man and Redbelt.
Two: Spencer Ackerman on Leon Wieseltier’s review of Martin Amis’s The Second Plane.
Three: I’m going to have some longer thoughts on Reihan Salam’s Slate essay on the concept of a music tax forthcoming. For now, though: the link.
This week, Slate has a piece up by Matthew McGough on the recent DVD reissues of Bull Durham and Eight Men Out.
This is as good a time as any to plug a recent piece I did for eMusic on books about baseball, including McGough’s fine memoir Bat Boy.
Preparation for EMP has kept me busy as of late, but here’s one link for your consideration, via The House Next Door: Armond White on Shine a Light.
Ever so often, regardless of who’s around, I’ll go into a lengthy spiel on the overall underratedness of Peter Weir. I was raised on many a Weir film: my mother’s particularly fond of The Year of Living Dangerously, and a good chunk of my junior year English class in high school focused on themes from [...]
Walking around the Lower East Side today, I caught sight of a few posters for the new Martin Scorsese/Rolling Stones film Shine A Light (obligatory David Edelstein review link) touting the IMAX version. And as cool as that might be, I could only imagine — given their album of the same name — what a [...]
One: Hot damn, Cloak and Dagger. I definitely remember friends of mine watching this in my youth. That said, all I can actually recall about the film itself are two things: Dabney Coleman and spies. Which are, admittedly, two pretty nifty things.
Two: Reihan Salam on the idea of a “music tax”. Interestingly, the comments section [...]
I’m pretty fond of Eugene Mirman’s comedy, so it shouldn’t come as a shock that this had moments where I found myself rewinding again and again. Especially the part about meat loaf. (Via brooklynvegan.)
One: I will admit, the trailer for the new Indiana Jones film made me kinda giddy. And I’m not a dude who uses “giddy” lightly.
Two: Last summer, I saw The King of Kong and enjoyed it. Watching it at the time, the conflict at the center of the film seemed like the sort of thing [...]