Not long ago, I read John Brandon’s novel A Million Heavens and later wrote a short review of it. Brandon’s novel is a sprawling, complex work; there’s less of an overarching plot than a series of intertwined subplots that eventually reach a satisfying point of convergence. Writing said short review wasn’t easy: this is not a book that lends itself well to neat summaries. I could probably have written two thousand words on it without losing stride; it’s a book that occasionally recalls some of Robert Altman’s more sprawling efforts, and its conclusion serves as a neat payoff for its numerous winding threads.
And yet, reading it, I did find myself with a couple of questions that I didn’t have space to bring up in the review. Ergo…
- A now-dissolved cult band figures heavily into the structure of the book; one former member of the band spends the novel in the afterlife, while his former bandmates feud over their musical legacy. At times, they seem to tap into a sort of contemporary suburban angst; at others, they seem so strange and iconic that easy descriptions don’t seem to fit. Arcade Fire meets Sun City Girls, maybe?
- There are references to home cassette recordings made in the novel, though the book’s setting is contemporary. I don’t know many home recordings these days that aren’t done on computers — is this meant to be a sign of one character’s economic straits? Is it a mark of stylization?
- There’s a reference to “Nevers” in the book — is Brandon making a reference to the film Hiroshima Mon Amour, where a Nevers reference is prominent?